MDT Stockholm funded by Swedish Arts Council and Nordic Baltic Mobility programme.
Living Documents I – III 3 looped Performance-installations connected through a walk in the 3rd district in Vienna 25. 26. November 2017,
Visitors could enter and exit at any point between 15.00-18.00.
Concept & Documentation: Charlotta Ruth, Dominik Grünbühel
Choreography & Performance: Peter Mills, Anna Öberg, Jenni Elina von Bagh,
Charlotta Ruth, Dominik Grünbühel
Sound Design and Programming: Johannes Burström
Space-Design: Sofia Romberg
Graphic Design, Production & PR: Maiko Sakurai
Theory: Vendela Grundell
Additional Development Team 2017:
Dramaturgy: Julian Vogel
Sound Design: Johannes Burström
Space Design: Luke Baio, Andreas Strauss
Technique: Roman Harrer
Rooted in the urge and curiosity to develop choreographic live-objects existing outside traditional stage settings, Living Documents embraces a context where live-performance is naturally forced to transform its temporality: the context (the question) of documentation.
The Living Document methodology examines the negative space of "the product". It is the activity and the modus operandi of the artist in relation to the viewer rather than fixing the artist inside one position. The movement of the workflow. The returning questions. The familiar patterns. Objects that stalk the artist. If comparing the approach to the methodology of painting, Living Documents work with creating an impressionistic access to situations. The performance installations are not documentary portraits, rather slices or zoomed in details of "bodies of work" put into play with a documentary approach.
Depending on the different artists and their respective practices reflected inside a Living Document, the performance installations are developed with different choices in relation to aesthetics, style and content but share a common parameter in relation to time, the loop. The aim to develop the Living Documents as looped live- performances is to give access to the choreographic object and the performer differently than through one- time linear reading which is often the situation on stage. Living Documents aim to simultaneously put artistic practice, ”final product” and through the loop also put rehearsal and documentation into play.
Copyright © charlotta ruth